How de Kooning Inspired Me To Paint Big

de Kooning, 1937

Alyson Stanfield recently launched a Twitter Book Club Summer 09 about the Pulitzer Prize winning book, de Kooning: An American Master, by Mark Stevens and Annalyn Swan.

When I got the book, at a whopping 630+ pages, I thought this is going to take me all summer to read. It took me ONE WEEK! I was completely mesmerized and taken with his story, his art and how contemporary art was shaped. I didn’t know to the extent that he was rubbing shoulders, smoking cigarettes, punching noses and making friends with the likes of Gorky, Rothko, Pollock, Kline, Rosenberg and others. It’s a virtual Who’s Who of American contemporary art. If you love contemporary art as much as I do, I highly recommend this book. And, I love that he was an illustrator and enjoyed printmaking as I do.

de Kooning, 1946

As I was reading, I kept seeing these enormous canvases that he worked and realized that I was itching to work larger. I’ve been wanting to paint big for a very long time but my old studio didn’t have the room. My new studio is much larger but I was clearly in the habit of painting small pieces. The book so inspired me that I took out a large sheet of heavy duty watercolor paper, taped it to my ancient conference table and decided to play BIG.

summer I
This is the outcome and I am thoroughly pleased with Summer I (48″ w x 29″ h). I used watercolor washes and dry brush watercolor pigments. I was reading the book during painting breaks out in my studio garden. I didn’t really know what I was painting, since this was an exercise in scale, until I was done. It’s the dappled sunlight that played across the grass and flowers while I was reading.

Thanks Alyson for a great book club and a great read!

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An Encaustic Piece in Progress


My studio is cold these days. I adore the space but I have to heat it up with a wood burning stove. Once the stove is roaring though, it’s a toasty little den. There’s something about building a fire and warming the studio that makes me pull out the encaustics. I think it’s because it’s a molten art form, can get fairly physical (creating warmth) and the heat of the beeswax beneath my hands warms my bones.
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Honey Bees Are Sustainable Artists

When people ask my dad, Waldemar, about his farm animals he likes to say he has a million head…of bees that is! My dad calls himself a hobbyist beekeeper but I think he’s an amazing caregiver of these incredible little creatures that keep our trees and plants bearing fruits and flowers and share their honey with us.

They are the ultimate sustainable artist. Everything they create is used and returned to the earth to be used again. Did you know that the honeycombs are built at exactly 7ยบ – tilted just enough so that the honey won’t slide out of the comb. And when the honey is ready it only has 17% water remaining. How do the bees know that? They are truly the Leonardo DaVinci’s of the natural world.

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